![]() The episode includes interviews with Ibaaku, Blick Bassy, Ikoqwe, Djely Tapa, Shabaka, Mélissa Laveaux, Afrotronix, plus Angélique Kidjo & Yemi Alade. In this episode, we explore this boundless inner space and George Collinet is trans-connected to a futuristic nebula through a patchwork of stories, soundscapes, and various avant-garde music productions from the cosmos and elsewhere. Nowadays, Afrofuturism is flourishing in Europe and in Africa, constantly revitalized by artists who offer new perspectives to expand our idea of Africa. From the start, Afrofuturism was a child of music, born in the ‘60’s in the boundless mind of Sun Ra, and it still shines in today’s music of American artists such as Janelle Monae. Radyo paw, radyo pam, radyo panou c sal lye jennjan pagen twou nan sa. The term was originally coined by Mark Dery (an American journalist working for The Washington Post & Rolling Stone). 1685 Nostrand Ave Brooklyn, NY 11226 Songs playing in Radyo Pa Nou. This story is based on an episode of Afropop Closeups, a new podcast from Afropop Worldwide, a PRI-distributed radio program that has shared stories and music from Africa and across the African diaspora for the past 27 years. In Afropop Closeups, producers are giving voice to musicians, scholars and people across the world who are responding to extreme situations including violence, war and cultural oppression.Sometimes music can take you to places you've never imagined! That’s what Afrofuturism does.… Afrofuturism is a cultural aesthetic that explores the intersection of African culture with science fiction, technology and the future, fusing magical realism with the beauty of Africa, beyond the clichés. One thing is clear: Haitian broadcasters will continue to find a way to get on the air - with or without a license. We just want to keep our community connected - how much they gonna ask us to pay for that?”Īs all these stations - both legal and illegal - compete for listeners, advertising dollars, and space on the radio spectrum, conflict is inevitable, leading some in the community to call for a crackdown on pirate radio, and others to suggest rethinking the basic principles of American radio regulation. Down the street at Radio Independans, Jacques Dorvil lamented this situation after his Saturday afternoon program: “Nobody likes to be illegal. These subcarrier frequencies are not regulated and require no license, but Pa Nou does have to pay a significant fee to its host station.Īnother option for Haitian broadcasters is to simply set up low-power transmitters, what is sometimes called "pirate radio." This approach is not legal, and causes conflict with legal stations that compete for the same frequencies, but it has become increasingly common in big cities like New York, Miami and Boston. ![]() ![]() They sell a radio and they put a special chip in it: Wherever LiteFM goes, they are able to listen to our station too, but they need to buy the radio from us.” In Pa Nou’s front office, there are boxes of those radios for sale, each one modified to pick up their signal. “So you have a station - let's say like 101.9 LiteFM - they broadcast throughout the Tri-State area. Jeffery Joseph, the operations manager at Radyo Pa Nou explains how it works: One option is perfectly legal: the subcarrier station. Is this your business Verify your listing. Haitian immigrants have brought that radio culture with them to the US, where they’ve encountered a system of media regulation that has few options for small-scale broadcasters. Hours may change under current circumstances. Thirty years after the fall of Duvalier, radio remains the dominant form of media in Haiti, where it can cross the country’s mountainous terrain, speak directly to the significant illiterate population, and serve up the perfect mix of music, politics and religious programming. 1685 Nostrand Ave Brooklyn, NY 11226 Songs playing in Radyo Pa Nou. Even though Haiti was poor, people were saving money to buy the little radio.” People would go under the bed and listen to radio programs, to listen to words of hope about one day ending this nightmare. As Dupuy remembers: “People had radios hidden, in the kitchen, in the bathroom. “There is something called the ‘Transistor Revolution,’” he explains.ĭuring the long reign of the Duvalier family (from 1957 to 1986), when all political opposition in Haiti was brutally silenced, radio was a unique space for dissent. According to Ricot Dupuy, Haitians’ love of radio is rooted in politics:
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